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Monday, January 31, 2011

Fifty, today. (Never thought this possible.)

-- "Superlatives" by Roz Chast




















You know what? -- I do have everything I want.
And, yes, "Right Now!"

In fact, I have to say, life is good.  (It's great in both flavors; "Regular" or "Fabulous.")

It's sure not always easy, but it is sweet.

It's sweet because I can feel it.  And that's about as lucky as we get.








Sunday, January 30, 2011

Brilliant Stop Motion Video Made By 17 year Old Using Barbies and Radiohead Cover of "Creep"




The above film is a short "stop motion" art piece, set to a  haunting cover of Radiohead's 'Creep' (also heard on The Social Network trailer - by Scala & Kolacny Brothers choir).

Alex Heller, the seventeen year old who made this brilliant short film,  describes herself on vimeo: "Seventeen.  Trapped in the suburbs.  I root for the underdog."

Well, so do I.  Which is why I encourage Heller, and other talented kids like her to continue experimenting with technology to tell stories and to keep alive the art of making film.  We desperately need visionaries like Alex Heller these days.  

So, Alex, I hope you win a big, fat scholarship to whatever school you feel would serve your work the best and that we hear a lot more from you in the future.

Take a step outside your mind with this cool, hypnotic animated short

Fascinating and creative.  Very watchable.

Had several moments which felt very "1968 Yellow Submarine," to me.


valse statique-la théorie du combo from maxime bruneel on Vimeo.


Train of thoughts...

Created and animated by Maxime Bruneel
music by Fréderic Chapron 
title music by The Avalanches.

maximebruneel.com

What? Tracy Morgan says rude things about Sarah Palin?

-- No?!

Actually, as a mid-century brunette who wears glasses, I'm not sure if this offends me, or not.
- Should it?



*In case you are too lazy to watch the imbedded link above:  Tracy Morgan is asked live on Inside the NBA who is hotter, Sarah Palin or Tina Fey?  Morgan goes on to share that actually Palin is  not only "good masturbation material, she's great masturbation material!"

Thursday, January 27, 2011

Man Ray & Lucia di Lammermoor

Man Ray and Lucia di Lammermoor di Donizetti

Two perhaps not so strange bedfellows ~




Tuesday, January 25, 2011

Congratulations to Melissa Leo on her 2011 Oscar Nomination!


Today Melissa Leo was nominated for an Academy Award for her supporting actress role in "The Fighter."


Actress, Melissa Leo

I'm really happy for her, and clearly believe she's been overdue for this kind of recognition as evidenced in my numerous blog posts below:

Actress, Melissa Leo



Jan 17, 2011
If Academy Awards were actually given to actors who deserved them, then Melissa Leo would already have a collection of little gold men starting with one for her work in 21 Grams (2003) , and another for her role Frozen River (2009).

Feb 03, 2009
People need to know what some of us already do, that Melissa Leo is both the Bruce Springsteen and Lucinda Williams of American actresses. Simply put, she's simply one of best actresses we have working today.

Feb 19, 2009
But, the true story of Melissa Leo, is one as rich and complex as any character she's ever played. But, that's a story for her to tell, should she ever choose to. 

Actress, Melissa Leo

Monday, January 24, 2011

West Coast Premiere of OBIE Award-Winning "Circle Mirror Transformation" Running Now at SCR

Sometimes you see something so perfect, so comfortable and real that you have to remind yourself that parallels to your own world are entirely a coincidence.

now running January 9th to 30th at SCR.

So it was last week as I watched “Circle Mirror Transformation” at South Coast Repertory in Costa Mesa. I had to constantly remind myself that the characters on the stage do not know me. They don't know I come from a small town in Vermont (the setting of the play) or that I've also spent countless hours in wacky acting workshops, as well.

Still, as this play brilliantly tapped into a goldmine of truths about the circumstances at the heart, I had moments of extreme déjà vu.

But, this is a tribute to fine dramatic storytelling, not a “Twilight Zone” episode. And sadly, the playwright, Annie Baker, doesn't know me from Adam (or Eve, in this case), even though as the production unfolded on stage at the Julianne Argyros Stage, I could have sworn everyone in the production knew me. They must have.  Because I could have sworn I knew them.

I'm not really that much of a narcissist (I hope) to think that everything's about me.  (But, if I am please be kind and just change the subject.) Instead, I think it’s that this instant recognition that I felt here is often the mark of really great work.

Circle Mirror Transformation” is set entirely in one room of a small-town community center, and tells the story of five people who come there each week for an acting class. There’s Marty, (Linda Gehringer), the teacher, and her husband, James (Brian Kerwin). Schultz (Arye Gross) is a miserably unhappy, recently divorced woodworker. Theresa (Marin Hinkle), is an unsuccessful actress who retreated from Manhattan to start over after a breakup with her boyfriend. Lauren (Lily Holleman), is a sullen teen, who barely says a word at the start of the play, before coming out of her shell as the story unfolds.

Billed as a comedy, “Circle Mirror Transformation” is funny, but in a subtle way, that allows for heavier subjects to emerge, too – love and betrayal and the ability to grow and change, among them.

As the characters’ stories develop over the course of the play, you start recognizing people, and archetypes, on stage, who feel familiar and true. Sometimes a play is about a foreign place or concerned with issues with which I've never wrestled. But what you hope, in plays such as these, that what you will recognize is a common sense of humanity in the play.

In those moments you realize the characters and play have nothing to do with the circumstances of your real life, but are just a quirky coincidence wrapped around a truly brilliant gem of a play, which is, in fact, also touching the hearts and minds of everyone around me in the audience as well – even those who have never pretended to be a tree or a baseball glove or done any of the other creative exercises used during the acting classes Baker has created here.

Annie Baker, OBIE award-winning playwright for "Circle Mirror Transformation."
Baker won an Obie award for “Circle Mirror Transformation” last year for Best New American Play, and it’s not an accident. In the Costa Mesa production, a great writer found a director (Sam Gold, who also directed in New York) and a cast, who all worked together beautifully to present an amazing night of theater.

Sam Gold, OBIE award-winning director of "Circle Mirror Transformation."
So go – The play, Circle Mirror Transformation,”  running now through Jan. 30 – and maybe you’ll recognize elements in these characters and stories that remind you of your own life. At the end, you may need to sit up a little straighter in your seat and pat yourself on the back for giving yourself the gift of having bought a ticket to see something that instantly touches your heart as it holds up a mirror to reflect a little bit of who you are.

 Below is a video clip of a scene from Baker's touching and comedic play:




SOUTH COAST REPERTORY
Box Office Phone: (714) 708-5555
655 Town Center Drive
Costa Mesa, CA 92626

Saturday, January 22, 2011

Late Night Roadside Memorial

It's three days later on the corner of Iroquois Road and Choctaw Drive, Westminster, Ca.

Saturday night, somewhere around 9:30 p.m.

Disneyland's fireworks pound out their final salute in the distance.  

The fog rolls in.  Temperatures drop.  The day's visitors cease.  

And in the dense fog 56 candles silently stand vigil looking out over a silent crossroad.






Friday, January 21, 2011

More about Andrew Brumback, the child who lost his life this week.


For obvious reasons I haven't had much time to blog this week. (Click here for original story "Today a little boy was run over and killed in front of our house.").

However, I want to add as a follow-up to this piece which also ran in the Orange County Register that there will be a community fundraiser to help off-set the family's costs of this unexpected tragedy.

If you would like to show your support for the family of Andrew Brumback, the little boy accidentally killed on his way to school this week, there are several ways to do so:

There will be a community car wash this weekend at his local elementary school, and there is a web address for online donations, as well as a church address in which you can send any amount to show support.

Community Car Wash Fundraiser for the Brumback Family

Sequoia Elementary School
Saturday, January 22 (and 29 & 30)
8:00 - 4:00 
5900 Iroquois Road
Westminster, CA  
714-213-0440


Monetary donations may also be made at the following link:

Or you may send in a check to his family's church:

Christ Church, 14061, Chestnut Street, Westminster, CA 92683
Please be sure to note: "IN MEMORY OF ANDREW" on the memo line.  Donations are tax deductible.  

They are requesting donations to be made by Feburary 18th.  

-- Thanks.

Wednesday, January 19, 2011

Today a little boy was run over and killed in front of our house.


We were home at the time. My daughter was home from school with a cold.   It was just before 8 AM.  We heard nothing.

A woman in a SUV crushed him under the wheels of her car not thirty feet from our front door.

I discovered this only after the police had arrived.

I came out to my lawn and asked what had happened.   A nice female officer looked pained but gave me the basic news that there had been an accident involving a child being struck by the car parked in the road in front of me.  I asked if the child would be okay.  The police officer just looked at me sympathetically, but said she didn't know.  Her face told me more.  Her face said what had just happened was terrible and a tragedy, but that she was at work so she couldn't say this.  That's what her face said.

There was an older woman in her fifties, maybe, on the other side of the road.  She was surrounded sympathetically by onlookers.  She was seated in a folding chair.  Nobody else was.  She was talking a lot and shook her head and waved her arms from time to time.

I heard one cop tell another, "She said he just came out of nowhere."  When the tow truck lifted her SUV off his bike, it was a tiny, twisted, metal pretzel.

One policeman held it up next the SUV to be photographed.  It wasn't even as tall as the car's wheel well.  The child didn't stand a chance.

A new bike helmet, with bright green patterns on it now lay upside down in a long, thin pool of raspberry colored liquid.  It had streaked out to the curb where I stood after coming out of my home to see what had happened.

The blood pooled away from the helmet in a thin, finger-shaped streak down to the gutter of our sidewalk from the site of impact now marked in bright blue spray paint.  The long streak resembled a finger pointing to the spot where the SUV struck the child.



It finally dawned on me that I was looking at a collection of graphic marks which told the story of the last few seconds of a child's life.  A life which had so easily and swiftly just been wiped off the map.

I saw a forensics woman carry a large brown bag over to the helmet where she lifted it up and neatly and dropped it in.  No flinching.  No drama.

Another bag was opened and into that bag was dropped his blood-soaked T-shirt.  Several feet away lay a small black backpack.  His school bag was the last thing to be bagged and carried off by forensics.

And now as the minutes tick by my curb is becoming a makeshift memorial.

What I can't understand is how the driver did not see the child.

There is a wide view of the road from where she hit the boy.  She hit him directly in the middle of the street.  She had such a wide berth at that crossing.  It's not a narrow roadway or blind corner.  I don't see how you miss seeing a pedestrian, even one on a bike at that angle.  She rolled on after impact, too.  We never heard this, though.  I only know this from what is now drawn on the road.

What I also can't get my mind around is that so much violent damage occurred so quietly.

Later today, I returned to the street where the accident happened.

School had not let out yet.   I was wondering how it was going be when the day's bell rang and the same children he headed to school with were now headed  home.  Did they all know what had happened, yet?

The paint still as bright as it was hours earlier.  The pool of blood had been washed down, but not washed away.  It was now a rust-colored puddle which I hoped the children, perhaps even including his friends and relatives, soon leaving school would not look at too closely.

I noticed a few fragments of the day's accident still lying on the asphalt. Pieces of a bike reflector lay in the road untouched.



I walked into the quiet street and picked up some broken fragments from his bike which still remained  in spite of the city's cleaning.  I debated throwing another bucket of soapy water on the giant stain in the road, but in the end, I chickened out.  I worried about the timing.  The elementary school's last bell would ring soon.  Children would be here before I knew it.

Fresh liquid in the road would be far more upsetting than what was there now.  I decided that if the city felt the washing was good enough, that I should leave well enough alone.

I'm still trying to process this.  I was inside my home while a child lost his life in front of our house.

There was no sound of impact.  Just wheels moving at about 20-30 miles per hour.  There were no screams.  No screeching tires.  No sirens.  It was a quiet, sunny morning in a sleepy suburb in Southern California.

Ironically, almost all of us who live at this intersection were home at the time.

Not one of us heard a thing until we noticed the police putting up barricades in our driveway.



And now the neighbors, many of which I realize with regret I do not know nearly as well as I should, are collecting in heartbreak at the make-shift shrine, where only this morning a little boy just tried to bike to school.

Here's what our local paper, The Orange County Register, had to say about this morning's tragedy.

http://www.ocregister.com/news/school-284810-boy-andrew.html


Monday, January 17, 2011

Ricky Gervais "If There Is A God, Why Did He Make Me An Atheist?"

After last night's final Gervais joke on the 2011 Golden Globe Awards  (Gervais: "And thank you, to God, for making me an atheist.")  I decided to check out some of his older work, starting with more of his thoughts about Atheism. 


I realize his parting Golden Globes joke, along with his beliefs, will no doubt ruffle feathers, however I hope some people watch his clip below to hear more about why he's chosen to think as he does.  It's refreshingly open and honest.  And, well, funny.  (Fancy that?)




Then I found this really fascinating, but extremely uncomfortable clip of Gervais interviewing Garry Shandling which is so odd.  I mean, really odd.  So, naturally I just had to include it.


Ricky Gervais Meets Garry Shandling - The Highlights:


Melissa Leo Wins Deserved Golden Globe for The Fighter

If Academy Awards were actually given to actors who deserved them, then Melissa Leo would already have a collection of little gold men starting with one for her work in 21 Grams (2003) , and another for her role Frozen River (2009).

Below is a clip from 21 Grams, in case you forgot how great she was in it:


In previous years I posted about her previous nominations for an Oscar:

But, the truth is, whenever it comes to Leo's work, everyone in the business knows what those of us growing up with her knew;  Melissa Leo is not just extremely talented, she's also a fearless powerhouse who gives her all for her work. 

So today I'm giving a "shout out" to Leo for her Golden Globe win last night.

And I'm stating I've got my fingers crossed (again) that she will also be nominated for her work in The Fighter, and even, perhaps, make 2011 the year she scores her first Oscar.

Here's a link to a nice story from The Burlington Free Press about her background in Vermont.

Golden Globe winner Leo spent time growing up in Vermont




Friday, January 14, 2011

A short film featuring a bokeh technique


Light Works from Supernormals on Vimeo.


Something about this very short film (We used to call them "videos".) reminds me of Hurt Locker and Apocalypse Now.

Thursday, January 13, 2011

Three Days of the Condor: Hollywood's prescient '70's political thriller

Three Days Of the Condor is one of those great '70s films which completely stands up to the test of time.

Not only is it still a Big Fat Juicy Hollywood Glamour Flick (starring the one and only Robert Redford and Faye Dunaway), but Three Days of the Condor also remains gripping, suspenseful and with issues that are almost entirely relevant and timely to today's political issues.

It's hard to believe this film was written almost 35 years ago!  When I see this now, it sounds almost entirely about the Iraq War, Afghanistan and WikiLeas.

Amazing work.  

Turner:  "Did we have plans to invade the Middle East?"
Higgins:  "Look, Turner.
Turner:  "Did we have plans?!"
Higgins:  "No, absolutely not.  We have games.  That's all.  We play games.  
How many men?  What would it take?
Is there a cheaper way to destabilize a regime?  That's what we're paid to do."

Just check out the last clip of the film.  I love the look of horror on Redford's face when he thinks he's check-mated the opponent, but then the blow-dryed, evil-doer flips the game on him one last time right before the scene ends.

By today's standards we know to cringe inside with fear for the hero's safety.  Redford's character seems extremely innocent and naive in 2011.

Thirty years ago we may have had more faith in an underdog's ability to survive being a whistle-blower.

Watch:


Great moments in film worth repeating

Just thinking about some past great moments in film that can never get enough airtime.

For instance, take Barbra Streisand singing "I'd Rather Be Blue" from the film, "Funny Girl."

So, where's this generation's new Streisand?  I'd like to see Lady Gaga do this!

Forget about it, Jake:  Barbra was a one of a kind.

Wednesday, January 12, 2011

Cutest Baby Elephant, ever!

I poached this off of Andrew Sullivan's Daily Dish:

Does anything ever get any cuter than this?

Sunday, January 9, 2011

The Stunning Final Conclusion of "I Can't Believe I'm Still Single" Season 3, Episode 10

Alas, this was the week we finally bid adieu to the series "I Can't Believe I'm Still Single" which enjoyed a mystifying and, for the most part, entertainment-free third season on the Showtime.


And, in case you are new to this wee blog, I have been posting what you could call an "un-review" of Schaeffer's, long, brain-numbing, patience-challenging work all along.


So, now it's done.  Finished.  Finito.  And my final take is this:


OMG!  Eric Schaeffer is STILL Single?!  No!


You mean, after three entire seasons of I Can't Believe (Eric Schaeffer) is Still Single, he is still out of luck?


How the hell did that happen?!


In all this time, Eric did not find at least one, single person on the entire planet to fall in love with?!


Give me a break.


Schaeffer even wrote an entire book about his quest!


He infamously trolled the internet for love, hungrily devouring every single personal ad on Nerve.com like a starving man gobbling candy at Halloween.


And, even after he wrote, produced and starred in a television series called (in case you really don't know this, yet) "I Can't Believe I'm Still Single."


But still, to this day, no luck, whatsoever?  Really, Eric?


Here's just a sampling of the plethora of women Eric Schaeffer has screwed up his chances for "love" with:


-- Boatloads of attention-seeking actresses and performers from coast to coast.
-- A seemingly endless buffet of quite nice, entirely available, extremely friendly, open-minded sex-loving women including everyone from an escort in clown make-up, to a woman with cerebral palsy, to a porn star.   None of which, or rather, all of which just didn't make the cut.
-- Hot chicks who jumped into airplanes and flew across country just to spend a few minutes in the bedroom with him at the drop of a hat!!  And still?   None of these women are good enough for him?


Oh, really?


Bummer.  "Well, too damn bad," is all the rest of us have to say.


I don't think many of us are feeling your pain, Schaeffer, because, honestly, that's enough time to find someone if you really want to.


But, nope!


At this point he can't find anyone to date by now, then this blogger is done!  Adios.  Best of luck.  Move on.


Now -- he's just exploiting this last season as a vehicle to try to still find a soul mate as well as amp up interest in his next project, the sequel to his former movie "My Life's In Turnaround." (Never heard of it?  Neither had I.)


This week's episode revolved mainly around the subject of  the boys finally getting started on shooting the first scene of "We're Out Of The Business" (from their mouth to God's ears).


In this final show, Episode 10 of the third season, begins with Eric grilling Ward on how much he liked meeting his date, actress Stephanie, the other night (see last show's review Season 3, Ep 9).


Ward hems and haws.  He tries to discourage Schaeffer from mixing business with romance, and tries to explain why this might be a bad idea .


However, fate intervened with a cell phone call from the very same Stephanie, who, as luck would have it, apparently had "other plans."


My favorite part is when Eric asks her if she had fun the night before and asks her if she wants to "do something with him tonight?"  And Eric and Ward just sit there.  Listening to the leading lady's surprising phone reaction. Taking it in.


Her reply is a long anguished pause, then she goes,  "Uhm....Hmm...God!"


Stephanie:  "My boyfriend called last night.  Like out of the blue, and uhm.  He, I don't know, like we talked all night and...I think that...we're going to try and work things out."


-- Pause --


Now, the reaction right here really was priceless.  Because, for the first time I really don't think it was scripted, so clearly this was one of the rare moments in the series worth tuning in for.


The look on Schaeffer's face is priceless.


He sighs, rolls his eyes, collapses into himself and then repeats the next line over and over like a cartoon.


"Your ex-boyfrien, your ex-boyfr-,  I-uh, Your ex-boyfriend called? When? when? How ex is he?  You didn't even tell me about him."


She brings him up to speed and Eric cringes and implodes saying: "Good luck with that.  I'll see you next week on the set.  Good luck with that and I'll see you when we shoot.  Like next week."


The audience watching all his raw emotions crisscross his face in one long, tight close up, a director trying in vain to save face (literally) and reassure her and everyone present that he will not get weird on her on the set.  (As if.)


You can just feel how angry with her he is about this.  His seething is evident and you know the set will be tense and awkward as hell for the rest of the shoot.  He will make her pay.  I would not be at all surprised if she found herself fired because it is so dubious his ego can handle her not being romantically available to him.


Later, after they all absorb the karmic pie in the face Schaeffer has just endured they move on to more important topics, like "porn stars!"


Better yet, "dates" with "porn stars!"


Apparently they are about to shoot a scene that opens during a porn shoot and they need a porn actress, to play a porn star...(I realize the obviousness of this line of action is about as mentally challenging as counting to 1, but hang in there with me here.)


So, again, the hand of fate intervened:


Eric picks up his magic crackberry and phones "Bill," the actor who is playing the male half of the porn scene and asks if he can help him find a porn star for the following day's shoot:


1)  Amazingly, Bill did have a "real" porn star to play the porn star.
2)  He tells Eric that she "does good work."
3)  And later he says that she also agreed to "date" him, too.


Which, amazingly Bill assumed was part of the bargain.  Interesting.  Later we learn that he's not really a porn star, but a college grad holding an MFA.  (To which I say, s0 this is your "fifteen minutes?!"  Playing a porn star in an Eric Schaeffer reality show?  Dude:  Burn your degree, now.)


Ebner:   "How could Eric fuck up a date with a porn star?"
Ward:  "I guess, yeah, I guess, I can't imagine how you could somehow alienate a porn actress."
Ebner:   "Thank you!"
Ward:  (To Eric) "I don't know what you could do to make her feel uncomfortable."
Schaeffer:  "Thank you very much."  (Having just gotten his co-worker's blessings.)


On the way to the meeting with "the porn star" that night there is one other amusing moment in this show:  


It starts with Ebner inquiring Eric doesn't seem to be happy that he's getting to date a porn star that night.  Schaeffer complains that it just doesn't seem that exciting to him, actually.


Then Eric confronts all his taxi mates with the same question:  "Would you like to bang a porn star?"


He asks the poor cab driver, who mumbles incoherently and leans out of view.


He then asks the camera man, Theo, the same question, who agrees he would, in fact want to bang one, and confirms that he never has.


And then he asks Mark Ebner the very same question.


That's when Mark Ebner heaves this long, presumably thoughtful sigh, and then breaks into a shit-eating grin while totally lucking out on poor lighting during this awkward moment.  Because just when he fails to hide his smile his face is conveniently cloaked by shadow.  However, he still attempts to say in as serious a tone as can be mustered "I'm with you. (Eric) honestly, no."


This moment is met with obvious laughter to which he tries in vain to keep his straight face insisting that "I really wouldn't."  


I might add that this exchange came just after Ebner commented "Eric do realize that it's every man's dream, but yours, to date a porn star?"  -- So, okay.  We get it.  Nice try.


Meet Rachel Starr.  The porn star in Eric Schaeffer's series, I Can't Believe I'm Not Single.


She is, as was promised, a "real" porn star, and she does have considerable talents in the adult entertainment industry.  I haven't seen much of her work, but what I have seen supports the theory that Schaeffer was very lucky to have her in his film.


For more about Rachel Starr, click Interview with a porn star- Rachel Starr.


And, this is all this blogger is going to say about her other than she has lots of energy and seems very ambitious and apparently has been to Burning Man, because that is what Eric's self-described "famous hat" reminds her of.


Really, Rachel?  Cause when I see that hat, I usually think "homeless," not "burning." But, hey, to each her own.


Then, during a very long series of exchanges we see Eric (and Mark Ebner and Em Sinick) meet and get to know the said "Rachel Starr."


It's easy to see how quickly Schaeffer goes from whining about how he's not that interested in dating a porn star to potentially falling head over heels in love with her in about five minutes by the frequency with which he begins to lick his lips while speaking with her in her hotel room.






At this point in the show we have lots of footage where we discover that Starr and Schaeffer are actually enjoying getting to know each other.  They seem to have a nice rapport and energy.  And even Mark Ebner says something to the effect that he may have finally met his future wife.


However, then as luck would have it, she actually rebuffs Schaeffer's offer to take her home to cook Putanesca for her.  In fact, all his incessant cooking offers are met with lackluster enthusiasm.  And she begins the long bursting of the bubble of fantasy about most men really wanting to cook for their personal porn stars.  But, trust me the bubble doesn't really burst till much later on.  It takes a lot to burst a bubble when you're a porn star.


They have a peppy and energetic date at Lucky Strike, but then they have to go and shoot the final swimming scene for the purposes of wrapping up the shoot of this season's show.


So, fast forward now to The Paris Health Club who agreed to let them shoot the "final stunning conclusion of I Can't Believe I'm Still Single" at their club, which included the obligatory pool race between Ward and Mark Ebner, (who was last season's champion).  


For some odd reason, Eric Schaeffer doesn't drop his clothes and put his swimming skills to the test again in this season, but, Donny Ward and Mark Ebner do, and once again Ebner smokes the competition.  And it was amusing watching Mark smoke Ward's Upper East Side ass with a triumphant "I! Am! Spartacus!"


Ward struggles to accept the swimming race's final outcome, but apparently nobody beats Mark Ebner "on any sport involving fighting, punching, fighting, kicking.  Any one of those."  Do not mess with Spartacus.


Did I mention that there is a return of characters in this final scene because one of the two judges for the swimming contest is, again, the real (handicapped) Mela (asked by Eric to wear a bag on her head) along side the porn star.  Funny.


Then, post swimming -- it's clear it's late and they have to get up early and shoot their first scene so they all head on home from the Health Club.  


But, do they?


Well, apparently,  we discover then that actually Eric is given the old "heave-ho" from the porn star.  Which is pretty much no surprise to those of us watching at home, but of course, he's surprised.


Which isn't surprising.


Then the final episode closes with the first shot of the first scene of "We're Out Of The Business" and some embarrassing clips of Eric finally chatting up the foxy black chick from his bank.  Who is pretty, and bright, but manages to come off looking really crazy in this show.  


Ta da!


That's it, folks!


That's the final stunning conclusion of Season Three of "I Can't Believe I'm Still Single!"